Osmond, who played Eddie Haskell in “ Leave It to Beaver,” sued over SAG’s handling of “foreign levies” collected from countries through mechanisms such as taxes on video sales and rentals to compensate copyright holders for reuse.
#Leave it to beaver film plus
SAG, which became SAG-AFTRA last year, sought damages of $330,000 on each of two claims, plus its additional costs. Running time: 88 min.The suit alleged that Federal was in breach of contract under the terms of the policy covering legal claims, which was in effect when Osmond filed his action in 2007.
#Leave it to beaver film series
Screenplay, Brian Levant, Lon Diamond, based on the TV series created by Bob Mosher, Joe Connelly.Ĭamera (Deluxe color), Thomas Del Ruth editor, Alan Heim music, Randy Edelman production design, Perry Andelin Blake art direction, Peg McClellan costume design, Jean Pierre Dorleac sound (DTS stereo), Thomas Brandau associate producer, Rita Smith assistant director, Liz Ryan casting, Joanna Colbert. Executive producers, Ben Myron, David Helpern, Lynn Arost. Other tech values are adequate.Ī Universal release of a Robert Simonds production. It’s a tricky balancing act, and it doesn’t seem worth the effort. Production designer Perry Andelin Blake and costumer Jean Pierre Dorleac try to have it both ways, placing the pic in a contemporary setting while suggesting a timeless ’50s ambience. But Ken Osmond, the original Eddie Haskell, has a very funny cameo as Eddie’s equally sleazy father. Barbara Billingsley, the original June Cleaver of the TV series, has little to do in a walk-on as Beaver’s stern aunt. The lead players are well chosen and reasonably proficient, but only McDonald, effectively cast against type, and Zolotin, who amusingly looks and sounds like a pint-size Rat Packer, are standouts.
#Leave it to beaver film crack
Maybe they should have stepped aside to let David Lynch or John Waters take a crack at the material. Cadiff, Levant and Diamond may simply be too much in love with the original “Leave It to Beaver” to attempt anything more cutting than an occasional dab of spoofiness. Unlike the makers of the tongue-in-cheek “Brady Bunch” movies, the people who concocted this TV-inspired feature fail to establish a consistent tone. Unfortunately, these mildly subversive touches are separated by long stretches of unremarkable tedium. During a group visit to a school psychiatrist, the pic’s most inspired sequence, Wally blurts out that he constantly worries about living up to his parents’ expectations. Later on, when he’s turned on by the sight of June doing housework in pearls and a fashionable dress, Ward sounds very much like Gomez of “The Addams Family” did whenever Morticia spoke French in his presence.Īt other points, director Andy Cadiff (a veteran of TV’s “Home Improvement”) hints at an eagerness to reveal the dark side of the all-American family. When Ward blows his top after Beaver loses his bike, he reveals flashes of a pent-up fury that are borderline psychotic. The filmmakers leave the door wide open for sequels, though they need not have bothered.ĭuring the first half of “Leave It to Beaver,” there are fleeting indications that the filmmakers may originally have considered a more satirical approach. After what seems like a very long time, everything turns out happily for just about everyone involved. But the classmate, Karen (Erika Christensen), is more taken with Wally, and, not surprisingly, this causes friction between the friends. Meanwhile, Wally tries to help his best buddy, the singularly sleazy Eddie Haskell (Adam Zolotin), who needs all the help he can get while wooing a pretty classmate. The worse news is, Beaver does indeed get the bike - but it is promptly stolen. The bad news is, Beaver makes the team, meaning he is pounded during practice and embarrassed during games.
![leave it to beaver film leave it to beaver film](https://doyouremember.com/wp-content/uploads/2021/11/Leave-It-To-Beaver-Show-Secrets-You-Wont-Believe-702x367.jpg)
In the hope of getting a new bike, Beaver attempts to curry his sports-loving father’s favor by trying out for his school’s football team. To reintroduce these pop-culture icons, writers Brian Levant (who directed “The New Leave It to Beaver” series) and Lon Diamond have cobbled together a tissue-thin plot. And Theodore (Cameron Finley), known as the Beaver, is a normally precocious 8-year-old boy who sometimes feels like the odd man out in this “perfect” family. Wally (Erik von Detten), their model teenage son, is just beginning to seriously notice girls. Ward (Christopher McDonald) is the wise, albeit demanding, father. Like the 1957-63 TV series - which enjoyed a long afterlife in reruns, and spawned a made-for-cable “New Leave It to Beaver” (1985-89) - pic focuses on the all-American Cleaver family in suburban Mayfield, Ohio.